Wednesday 12 August 2015

From My Commonplace Book

"...ecstatic 'voyaging' through endless encounters with old engravings, photographs, books, Baedekers, varia, etc..." - Joseph Cornell.

Neglected Author - Victor Canning

Victor Canning was born in 1911 in Plymouth. Although he planned to go to Oxford to study classics, his family could not afford it and instead he went to work as a clerk at age 16, first in Oxford, and later in Weston-super-Mare. According to an article in Book & Magazine Collector, Canning started writing soon afterwards:

I was seventeen. I wanted a motor-bike... and to drink beer with the other fellows in the rugby club. I'd no money - I was earning 17s 6d a week in an office. I picked up some kids' magazine and I read a story. I thought: ‘My God! If I couldn't write a better story than this, I'd well...!’ I sat down and wrote one... I got four guineas for it. That was it - I'd started.”

Canning was soon selling short stories regularly to boys’ magazines and newspapers. In 1934 his first novel, Mr Finchley Discovers his England, was published and became a best seller. (To give a flavour of 1934, other books published in that year included JB Priestley’s English Journey, Orwell’s Burmese Days, Wodehouse’s Right Ho, Jeeves, Agatha Christie’s Murder on the Orient Express, and Evelyn Waugh’s A Handful of Dust.) Canning gave up his clerical job and became a full time writer, producing thirteen more novels in the next six years under three different names. Lord Rothermere engaged him to write for the Daily Mail, and a number of his travel articles were published as a book with illustrations by Leslie Stead under the title Everyman's England in 1936.

In 1935 he married Phyllis McEwen, a girl from a theatrical family whom he met while she was working with a touring vaudeville production at Weston-super-Mare.

He enlisted in the Army in 1940, and was sent for training with the Royal Artillery in Llandrindod Wells in Wales, where he trained alongside his friend Eric Ambler. Both were commissioned as second lieutenants in 1941. In Ambler's autobiography, Here Lies Eric Ambler, he writes about his army training:

"There was a pleasant side. Victor Canning was in the same troop as I was. On Saturday nights, duty permitting, we would go to the local repertory theatre and on Sunday nights to the cinema. In both places, of course, we could sit down. I cannot recall our ever going into a pub for a drink where one had to stand at the bar. On weekday nights, if not on duty or cramming or cleaning equipment, one went to bed early."
 
Canning worked in anti-aircraft batteries in the south of England until early 1943, when he was sent to North Africa and took part in the invasion of Sicily and the Italian campaigns. Canning's obituary in The Times notes that: “...even in the Royal Artillery he had a stimulus to write in the promptings of a loyal batman who was in the habit of rebuking Major Canning in the morning if he felt that the boss had not been long enough at his typewriter the previous night.” At the end of the war he was assigned to an Anglo-American unit doing experimental work with radar range-finding. He was discharged in 1946 with the rank of major.

Although before the war he had been predominantly a writer of gentle comedies, he resumed writing, on Ambler’s advice, thrillers set in exotic locations. His thrillers are mainly set overseas since, Canning is reported to have said, “in this country you can always call a policeman.” Canning’s second post-war book, Panthers’ Moon, published in 1938, had a plot in which two panthers being transported from Italy to a had a plot involving two panthers who are carrying microfilm in their collars being sent from Milan to a circus in Paris. It was filmed as Spy Hunt, and from then on, “Canning was established as someone who could write a book a year in the suspense genre, have them reliably appear in book club and paperback editions on both sides of the Atlantic, be translated into the main European languages, and in many cases get filmed.” In 1952 Canning briefly worked in Hollywood on scripts for films of his own books and on television shows. The money earned from the film of The Golden Salamander (starring Trevor Howard) meant that Canning could buy a substantial country house in Kent. During the 1950s and 1960s Canning also wrote short stories for the many pulp fiction magazines that then existed, such as Argosy, Ellery Queen's Mystery Magazine, and John Bull. In 1965 he began a series of four books featuring a down-at-heel private detective called Rex Carver, whose character owed something to Len Deighton’s unnamed narrator of The Ipcress File and Horse Under Water. Although Rex Carver was based in Pimlico, his work usually took him abroad and involved a colourful array of villains and their henchmen. My own favourite of these is The Whip Hand, a cracking adventure involving neo-Nazis.
 
At the end of the 1960s Canning fell in love with the wife of London solicitor, which led to his separation from his wife Phyllis. His second wife died of cancer in 1976. The seven and a half years that they lived together were, as John Higgins says, “an extraordinarily productive period for him, containing almost all of his best work, including the first five of his ‘Birdcage’ novels, a trilogy of books for children starting with The Runaways, and the beginning of a trilogy retelling the legends of King Arthur, The Crimson Chalice.” With his ‘Birdcage’ series of novels, beginning with Firecrest (1971), he moved away from exotic locales and concentrated much of the action in the south of England. These novels featured a branch of the secret service known only as “The Department”, which Canning described thus:

The Department was an offshoot of the Ministry of Defence. Its existence had never been officially acknowledged. Its functions – proliferating under the pressure of national security – were as old as organised society. Its work was discreet and indecent. Security and economy demanded that certain people and certain situations had to be handled, organised, dispatched or suppressed without the public being disturbed or distressed by any awareness of the mostly unmentionable stratagems that, in the interests of the national welfare, the Department was given an ambiguous mandate to employ. Murder, blackmail, fraud, theft and betrayal were the commonplaces of the Department. The Department existed, but its existence would have been denied. Its members and operators lived in the common society but acted outside it. Most had entered the Department aware of some of its extreme aspects and prepared to adjust themselves. None had had originally a complete understanding of it; and when this had come it was too late – for knowledge had by then brought acquiescence and even a measure of pride and self-satisfaction at being part of a body of work and action which first changed, then isolated them, and finally smoothly endowed them with an inhumanity that inwardly set them aside from all other people.”

Canning continued writing a book a year, and died of a heart attack in February 1986, in Cirencester. His final book, Table Number Seven, was completed by his third wife Adria and his sister Jean.

Several of his novels were turned into films, including Alfred Hitchcock’s last film, Family Plot, based on The Rainbird Pattern.

Although in the 1970s Heinemann brought out a Uniform Edition set of reprints that included most of the early work, by then Canning was sadly out of fashion, and remains so. This is a pity since many of his novels are excellent reads, and his later novels can hold their own against anything by Len Deighton or Ted Allbeury.

(I am indebted to John Higgins’ excellent webpage concerning Victor Canning for the biographical information.) http://www.victorcanning.com/


 

Overheard Conversation #7

In a restaurant:

 "I don't know if I want to go. I only eat protein salad. Will they have protein salad? Because I only eat protein salad."

From the 1811 Dictionary of the Vulgar Tongue - G

GAG. An instrument used chiefly by housebreakers and thieves, for propping open the mouth of a person robbed, thereby to prevent his calling out for assistance.
GAGE, or FOGUS. A pipe of tobacco.
GALLIGASKINS. Breeches.
GAPESEED. Sights; any thing to feed the eye.
GAYING INSTRUMENT. The penis.
GENTLEMAN OF THREE INS. In debt, in gaol, and in danger of remaining there for life.
GERMAN DUCK. Half a sheep's head boiled with onions.
GIGGLERS. Wanton women.
GILFLURT. A proud minks, a vain capricious woman.
GLIMFLASHY. Angry, or in a passion.
GLUEPOT. A parson: from joining men and women together in matrimony.
GOOSECAP. A silly fellow.
GORGER. A gentleman.
GRIN. To grin in a glass case; to be anatomized for murder: the skeletons of many criminals are preserved in glass cases, at Surgeons' hall.

Things I Miss #7

At my prep school most boys owned a spud gun of some sort. The superior ones were made of metal, while inferior plastic ones were also popular. One dug the barrel into a potato, pumped the grip with one's fist, and used the compressed air to fire the spud pellet at someone or something. There was also a cap-gun version that claimed to fire the spud pellet by means of the explosive discharge from the cap, but I never saw this actually work. The metal version (the "Potato Zapper") also purported to double as a water pistol, but as with the cap-gun, this never actually worked. As raw potatoes were rarely available at school (except, accidently, at meals) one had to make do with an apple.

Random Memory #9

I visited the Palácio Nacional da Pena in Sintra, but all I can remember is being shown a miniature cannon on the palace terrace. The cannon was attached to a sundial, and was triggered by a magnifying glass concentrating the sun's rays at noon onto the cannon's fuse.
 

Tuesday 4 August 2015

Obituary Eupemisms

The following are euphemisms habitually used in English newspapers, in particular The Daily Telegraph when Hugh Massingberd was obituaries editor.
 
Convivial  Habitually drunk
 
Did not suffer fools gladly  Monstrously foul-tempered
 
Gave colourful accounts of his exploits  A liar
 
A man of simple tastes  A complete vulgarian
 
A powerful negotiator  A bully
 
Relished the cadences of the English language  A crashing bore
 
A lively conversationalist  A crashing bore
 
Relished physical contact  A sado-masochist
 
An uncompromisingly direct ladies’ man  A flasher
 
A confirmed bachelor  Homosexual
 
He never married  A misogynist
 
She left no close relatives  A lesbian
 
Lived life to the full  Drunk
 
Not always an easy man to live with  A wife-beater
 
A free-spirit  Couldn’t hold down a job to save himself
 
Always had a twinkle in his eye  A drooling pervert
 
Colourful  Criminal
 
Misunderstood  A git
 
A man of large appetites  Obese
 
An original thinker  Insane
 
Marched to the beat of a different drum  Heard voices
 
Lived a quiet life  Had no friends
 
Active in the community  A busy-body
 
Uncomplicated  Stupid as a bag of hammers